when talking about young and talented artists in holland, tom ruijg is one kid you cant skip. his love for the housegroove is clearly represented in his productions. learning from the very best, tom has shown that his excellent talent exceeds the two turntables and seems to have no limit. we are therefore proud to present his debut on bangbang! delivering four tracks, from the flowing jazzy groove of >seguir la sonar< to the more clubby >feeling sexy<, topping it of with the slamming tracks >random spoon< and >leave<.

the third release of sleep is commercial, the first one on vinyl, its a release of the huge talent made in cagliari jmc. revolver / frog / workin happily are three tracks ready to explode on the dancefloor. a killer groove at the same time loopy, hypnotic and psychedelic is what you can expect from these tracks. this is definitely a record that you will want to keep on your hand when its right time for a hot dancefloor blow-up. the rest its all about no sleep: its commercial

in mos ferrys eyes mikael stavostrands no turning back(mfp024) release at the end of 2006 still marks a highlight of his minimal techno period - and this is not only because of big bullys unmistakable vocals. now, none other than daniel sanchez (mumbling yeah) takes up the subject once again and with his no turning back remix he picks up where the krause duo started tastefully back then. daniels 12 minutes remix relies totally on an energetic rolling groove and puts the vocals always precisely when others would think it cant get more driving. the second remix was made by mikael stavostrand himself and is a straight and spatial welldesigned dj tool. for his own re-interpretation big bully got reinforcement through the argentinean odnu and heads more towards dub techno. these are three very succeeded remixes, which awake the desire to listen one more time to the original (despite the title)

this e.p. is a composition by two artists who release their feelings thru their music. g.marcell presents >breathe<. on this side of the e.p. breathe is a musical adventure were g.marcell expresses a time period of release from the everyday drama. sometime in our everyday life we need just a little relief from the everyday pressure of the issues we encounter. this is the reason for the inhale mix and the exhale mix. the inhale mix is the more laid back groove where as the exhale mix is the more energetic groove strictly for dancing. on the other side of the e.p. >necessary sanctuary< is amirs experience of the dance floor when he hit the club scene. the original mix is full of energy and a for sure crowd pleaser. the 3am mix is more of the mellow late nite groove. over all, the e.p. is something for everyone to relate to in one way or another.

incl. rmxs by antonelli & drei farben house
easy house grooves and deep, chord-driven techno – two versions of electronic music paulo olarte is particularly interested in as he has proven with his records on diynamic or his own imprint fresh fish. for his first 12 inch on frankfurts new entry, polytone, former hamburg-resident olarte gives full scope to his perferences. >vayas donde vayas< comes with a wonderfully housey feeling and a rich fund of harmonies, whereas >sweet sugar< plays the role of the techno bouncer for the tradition-conscious and discerning dancefloor with its deep detroit flavour. in his remix of >vayas donde vayas<, antonelli concentrates on the lightness of the or iginal and moves towards a maximum of funkyness with a mulitude of thrilling details. drei farben house rounds off the remix flip side with one of his long suspense arrangements he has come to be known for, which sends us to house heaven when the fine chords eventually fully unfold. polytone remains one of the most interesting, diverse newcomers of recent times.

4 disco tracks re edited by dj butcher for your next house party!!!

part 2/6 from remix package of when a banana was just a banana with matthias tanzmann and chateau flight remixes

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

dark 4 track journey!

1971 classic by one of the greatest ensembles in the history of rock music.

another hot limited marcellus pittman release with 3 tracks. already been played by theo parrish and omar s. dirty raw house tracks from detroit! on a dark dance floor you will be given a glimpse into the heart and mind of marcellus pittman. fit sound, a new imprint from detroit,debut with an ep from the talented detroit producer marcellus pittman. erase the pain, is a mutated acid banger carefully arranged to be absolutely devastating when in the right hands. twisted bass lines and synths travel together and divert over a fierce jacking beat. sync is a night drive through the city streets, but this night is strange because the sky has become purple. grey buildings turn into unrecognizable forms. people standing on street corners, now appear to be zombies lurking in the darkness. is this a nightmare or is this for real? illa 5 ela brings it all back to the days when you first felt love for that special somebody. early white labels copies have been tested in clubs worldwide and the results are unanimous: killer. follow theo parrishs advice, dont sleep...serious rugged service right here!

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

casxio (ca see oh) are a refreshing devine fusion of disco, funk and rock n roll. reminiscent of a sound that first infiltrated ourairwaves over a quarter of a century ago, casxio is what happens when prince, the talking heads, and sly stone all get their heartsbroken by the same girl.

right on the heels of our previous bass/electro smasher, we hit you with the most anticipated house/disco record of recent times. helsinki 78-82 is a project by top billin team members flipper & koobra, whove always been active and always been down to bring something new to the label. while flipper is part of the top billin dj team and has always been the most high-flying of us, so no wonder the the new 12inch is some musical bliss thatll leave you feeling that good good. this is what we call big city house music, when youre cruising the streets at night with the top down - no words needed. in a manner michael mann would be proud of. so lifelike is a sort of remake of lifelikes great so electric (under permission), although this time it comes with vocals from our great helsinki new wave partners villa nah. if you are in need of a new end-nighter, this is it. cruising is a tune full of that pumping big city feel with driving drums and great synth work that will get them ladies on the floor and will fit into those funky house / modern disco sets. we even have a video for it, but its a different kind of cruising than you think (no al pacino)…

for intactos 24th release we welcome nicole moudaber. christened by john digweed as the >queen of dark house< as well as being named in many top djs techno charts – nicoles music clearly has a broad appeal. when carl cox was asked last month by dj mag who was the most underrated dj in 2009, he answered >nicole moudaber, ive been following her career for the last three years - her productions and djing. she s amazing.<

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

tonbaumeister’s love for electronic music roots deep in the late eighties when he got his first computer, a commodore c-64, and when he instantly fell for the distinctive sounds of its sid chip. always driven by this passion he since then devoted himself to producing electronic music on various computing platforms and with multiple different programs to discover and soon constantly reinvent his own style. growing up in hessen, in the very heart of germany, he was deeply influenced by the endlessly evolving styles of house music and techno, which shaped the face of the vibrant club culture in cities like frankfurt and kassel. although tonbaumeister’s style might prematurely be declared as house music, the diversity of his productions makes it almost impossible to put them in a box and label them. his energetic tracks range from straight house to tech house to almost dark technoid characteristics, but suddenly one finds oneself surpr ised by the aforementioned sounds of late eighties computer games embedded in a psychedelic landscape with rough sawtoothy baselines. as hard as it is to pin down his production style, it is even harder to label his dj sets, which, as well as his productions, constantly evolve and morph while mirroring all of tonbaumeister’s influences. since 1999 he developed a passion for djing and he has had the chance to transport his enthusiasm into a number of clubs, infecting many clubbers with his verve. at the moment he is about to launch his own label subclinical

the every day fight deep in the inner side of danjel esperanza is such a big antagonism. but its not only in himself, its his life, destiny and his music which he really lives out on his musically diary. and now with his first album ever!
no better place can it be than his label backdoor beauty to describe all the opposed feelings. the album contains nine very deep and soulful songs. deep bubbling pumpin basslines combined with spiritual singing vocals, instruments like violins, flutes, guitars and many more! all recorded together with sounds from outside which gives the unique athmospheric dubby touch and far horizons and it feels at the end like a very hypnotic trip.
inspired and influenced from so many music styles he found his own way in electronical acoustic sounding music to describe the antagonism in danjel esperanzas life and the world...which is like one happy eye and one sad eye....

after releasing tevo howards >move< hhyr is back with more music from the howard family. this release sees tevo producing his father rick howard again. after working together on the first beautiful granville release about fourteen / without your love, the duo returns with the >i wont lay back<. vocal chicago house just as we llike it deep and raw! i wont lay back is possibly the best track they have worked on so far. comes as original and underground mix. the b-side features a remix of about fourteen. classic stuff! raw and dirty house music. when music is this good, let there be renaissance! our house is your rush!

the most valuable and rarest italo disco 7inch of all time gets a timely reissue on dj friendly 12inch vinyl for all you disco beardos out there. this release has going for silly money - £300 plus - but what you have here is a remastered, cleaned up version of this quirky funk disco nugget that sounds as dope today as when it was released back in france in 1978. limited to 500 copies. pick this up while you can.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

2009 re-release of this classic cypress hill album, including >i wanna get high<, >insane in the brain<, >hits from the bong< and many more. one fat timeless joint on double 180gr vinyl!

hello and welcome to the new decade. we are kicking off the 10s with a smash from the 00s - as a hinge between the decades, so to say. adas >lovestoned< was everybodys favourite track from her fabulous >adaptations< album, a milestone of romatic techno with vocal support by raz o hara. one of this songs biggest admirers is president bongo of gusgus fame. together with jack shidt he forms the dynamic duo gluteus maximus which already caused a stir with their amazing remix for sigur ros >gobbledigook< on kompakt pop. their lovestoned remix is astounding, too. sex, modern, efficient without losing one gramm of soul. the flipside is taken care of gui boratto who is never far away when techno meets pop in such a sensitive way. his remix makes all great things from the original a bit greater and its pushing the romance factor to the max.
great job, comme d habitude!

eine weitere tolle vinyl wiederveroeffentlichung von bert jensch! santa barbara honeymoon stammt aus dem jahr 1975, die damals mit einem ueppigen l.a. production sound alle fans ueberrascht hat. neben backing vocals saengern, kann man auch studio session player die u.a. steel drums, blaeser spielen, sowie eine dixieland band hoeren!!! feat. unveroeffentlichte bonustracks, die jensch auf dem montreaux festival im sommer 1975 aufgenommen hatte.

close to the end of the first season, percusa records presents their last vinyl in 2009 and the labeltrio fimo themselves. after the successful remix on varoslavs >family ep< the three friends now deliver 3 fresh tunes working pleasant in the cold winter time.
>busy time< starts with a long warm intro and a duby chord which risesto a kind of detroit-style groove while the beat drops. fresh vocals and changing percussion shaking perfectly through the coldest night.
>deep fall< was produced in that mood when warm feelings come to mind, reflecting those nights when time falls down into deep winter-feelings. atmospheric voices, deep hits, stabs and chords melting toa catchy atmospheric feeling.

here at the exprezoo headquarters we like to keep looking forward and to search for new and undiscovered talents, but we also like to go back to the sounds of our roots and, its not a secret, we are in love with neapolitan techno. blend these ingredients, stir for a while, and voila the fourth release on our catalog, by rio padice. actually, the kid isnt really a new one, since he s already had releases on welt,mosaiko, metroline limited and exprezoo digital besides being half of the new and hyped horacio project along with massi dl, but hes part of the new generation of neapolitan producers who keep going down the path started by marco carola and danilo vigorito. the a-side, don dragone, has a techno mood that we didnt feel for some time and that takes us back to when hardgroove was leading the dancefloors, updating and actualizing its sounds, while on the b-side elm street is made to satisfy the classiest tastes, taking the atmosphere towards a good-for-every-purpose dub techno. the last track on the ep, leviatano, keeps up the feeling we fell in love with on question and zenit, with funky percussions and sunny, warm synths.

>all tracks are great! will definately play it... pianos on the beach is amazing.<
- robin (david gilmour girls)
>yeah, as i said, i think its your best edit 12 so far. the choice of tracks is great, >pianos on the beach< is the kind jam youd like to hear on a dancefloor late at night, i guess this could have been played by francis grosso or mancuso. same for >look at you<, fantastic track, very emotionnal, whis has something of an anthem. keep on sending me such a thing. (btw, i m a fan of canyons label, great stuffs)<
-cosmo vitelli
>this is the kind of release that makes me excited to dj again...and again. theres something here for the beginning, middle, and end of a great night.<
-alex frankel (holy ghost!)
>loving that piano jam mister renault - perfect to drop just when you have em where you want em towards the end!<
-jim stanton (horse meat disco)
>nice one jacques, sounding good man!<
-mark e
>mr. renault is on a roll!!!!! seeing as everyone and their mother is doing edits these days, it comes as no surprise than the man takes it to the proverbial next level with this ep.<
-my cousin roy (wurst music)
>love these - more great edits from jacques. have been playing them out with great results!<
-prince language

ultra phat & modern techhouse!!! should be on your list of wishes, when grandmother is asking you for a christmas present

big with mihai popoviciu, gel abril, phil weeks, timo maas, dj t, kabale und liebe, nima gorji!! maybe the most diversified ep for the young label! solar & poppcke deliver a full-on floorburner with c mon - a fat bassline, ever-building arrangement and great breaks topped by a catchy vocal - perfect for the peaktime!
a2 is one of those tracks that will cause a lot of fun in your local recordstore when somebody tries to explain the staff the name of this track he is looking for ,-) besides that its a cool minimal-ish tricky groovetool with soulful vocals and a very unique vibe.
b1 is a classic deep and hypnotic chordanthem, slowly building in a hypnotic way and delivering its full dancefloor effect right after the main break.
the sweno n remix is perfect for the bigger floors: clean and straight production, techy vibe, driving chord stabs - this is a perfect dancefloor-destroyer for the middle of the night.

back in the day, when i discovered the music from reggie dokes and the psychostasia label i felt something similar as when i listened for the first time the music from lil louis at the end of the 80s. i mean... is this music really house? it must be because all the good househeads play and respect his stuff... perhaps just for that different and unique way of make house...

a new mostiko vinyl hits the shelves!! armin van buurens new single finally available on vinyl! kurd & rud deliver their best record to date a remake of the most answering machine lyrics to date... dj rebels & ftws follow up is a hit and already high into the top 15 of the belgian single sales chart and than theres perfect moment which is in fact always a perfect moment when dropped on your floors! massive support on this one from all the big players

a1) new love - this elevating new track is deep, funky and sexy. the beat is ever growing, the bass never ending. disco mixes with deep winking and eye to electro. b1) low down - sounds like a completely different atmosphere. still funky, its the perfect tune for a poolside party in la as the sun is going down... smart, sexy ladies get the party started moving to this disco house dance tune. b2) dont stop is the natural conclusion to this 12inch. we re at the break of dawn when this drops, as the sun is rising. slow bpms and vocal intermissions for those whose feet still want to move to the groove.

progressive house / deep trance! incl. eniac remix. when hearing >how long is now<, you are immediately taken into a tepid ibiza summernight. on top of that, none the less than infamous eniac is completing the package with a very strong remix. eniac is the mastermind for many big productions like tom novy vs eniac >superstar< or tomkrafts uk number 1 hit >loneliness<. let the melody get deep in your heart and mind!

classic sounding track by two long going and respected techno heads.. fabrice lig and titonton. these guys take it back to the early nineties when techno was still fresh and new... the days that titonton and dan curtin were debuting with their sophisticated techno sound. raw funky 909 percussion, bleepy analogue synths and great warm string sounds and beautiful melodies. purist techno tracks that never go out of style and reminds the old blokes why we loved techno in that period so much. and it shows the young cats that there is more then the standard dj tool techno! beanfield is on remix duty here... and he delivers an updated modern dancefloor friendly house version with a great string section that reminds a bit of knights of the jaguar and a killer bassline after the break. check!

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

for the first time in 14 years, some of morrisseys best loved singles available in a limited edition, 7inch box set.

italian duo davide zeta and claudio basile moved to london from milan in 96 & 97 respectively, they quickly achieved themselves their individual niches in londons spotlight as promoter/dj duo, moving into production with their first official releases in 2008, claudio as a solo artist, and davide as part of slimboystwo. when they finally joined forces for their first release as dzeta n basile gained lots of attention from different record labels throughout uk and europe. claudios sound comes from a progressive background and davides has more of a house feeling. the result is a unique blend of hypnotic grooves, deep vibes and percussive/house beats, which is the trade mark of their style. after just more than a year running, with dj performances in londons most important venue and 10+ singles released, the future in 2010 is looking bright.

voyeurrhythm crew returns with an splendin follow up on the ep1 (which was sold out on the day it came out!). and this one might even be better! hollywood nights has a dirty chi-town influenced house track with a phat bassline... think early days of frankie knuckles! megadon betamax did a cheeky cover version of one of our all-time favorite electronic disco tracks... changed into >he cant love you< (he completly reprogrammed and recorded the track!). and ben sun, suplier of the fantastic >when you looked< track on ep1 has another extremely solid track again called victoria park.. goose bumps all over from the first bar! another winner.

6feet under presents its second floorburner in a row. manu kenton is the one responsible. this man is known for the hardest kicks arround and when you listen to this record you know why!

the 90s were without doubt the revolution of a genre of music called house music for those who remember when house was house. one of the biggest tunes in 1990, which made house music a crossover sound, was double dee feat. danny losito – found love. it was not just a record of many, it was the record of that time. now danny losito aka mr. double dee strikes again with a fantastic song and vocal performance in 3 versions to choose from.

its a rainy dark night sitting in the studio and drinking champagne with the idea to produce a track just for play. but when we plaid it in the club the dancefloor was out of control...

the machine has been kick-started! industrial movement returns from the dark with a fierce 4-tracker under strict guidance by deathmachine. get your fix with both mid and up-tempo uk hardcore beats! solid productions showcasing the enhanced mechanics of one of britains next-level producers. theres nothing unlucky about the thirteenth release at im when this audio hits your decks!

the viennese djs and producers smacs & patrick kong transformed their studio into a grow room. >no more experiments!< says smacs, when being interrogated about specific preparations for gigs outside of the austrian capital. their critics say: >on the long run the move towards self catering and regional consumer awareness will lower the production output of s&p<. the critics are full of shit though, because the opposite is happening. the recording booths new dedication >gives (you) wings< as a globally known austrian marketing slogan states. >growers< simply became their new single theme. of course dirt crew is around handling business when things get dirty in the techno scene. but instead of cleaning up, the two berliners mash the dope up with their favorite flavors and create special blend of its own, which will probably make it into this years finals of the legendary grand cup. indoor or outdoor, this tune will work!

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

a1) aller retour. indeed we do like it very much, when a tune is like a punch – and this one pushes tremendous. underlaid with a sharp kick later, the strongly-held bass line involving from a small stream to an all-compelling stream. on top we receive a very un-christian boot with some oriental like organ-pipes. what more can you expect. oh by the way- there is actually a river in lower saxony with the same name like the track – however has nothing to do with it. b1) nevermind. indicate left and right over. and then a lob shot instead of a straight shot. this is a little what nevermind feels like. an assault from the deep, with a soft climax rather than with brute force. our recommendation for phasing out after an extensive club night

2009 has seen a slew of new detroit producers in what is turning out to be a stunning year of activity for the citys dance music. as the area experiences another test of its collective mettle, these musicians have emerged with some fresh insights. its detroits new wave, and its happening at a time when everyone wants to know whats really going on in the 313. as always planet e is on this wave with monty luke. following up releases on claude von strokes mothership music label, luke transplanted from california to detroit, shunning grace for grit and delivers his first offering for planet e, >art, love & war.< the labels first release since the 69 box set, >art, love & war< matches deep, stark piano stabs with sharp expansive drum hits, its upfront, its beat-driven, its for the dancefloor. the fantastic carl craig remix on the flip throws jagged edges of the original around in unexpected ways, its the first c2 remix on planet e since his epic remake of martin buttrichs >stoned autopilot<

this is a long awaited release on theomatic from a russian-born (now czech-based) house-quartet d-pulse. this definitely should have happened before as all d-pulse members and theomatic’s commander andrei zakharov (an-2) are fellow-townsmen and have known each over many years. d-pulse are known for their expressive live performances (guitar, bass and keys), everything you hear they play live and their unique vibe can shake any audience, be it hip moscow cuties or shy hick-town chicks. the band’s hectic schedule has put this ep on hold for several months, but at last guys managed to organize themselves and lay final touches to the production. the a-side is a mellow, spaced-out disco jam called ‘prekrasna’ - the russian for ‘beautiful’, especially when referred to ladies. the dancefloor-aimed ‘moments’ on the flip side starts off with hypnotic, dubbed-out guitar and atmospheric synths laid over fat house beat. it gradually leads to the breakdown followed by guitar driven blast-off and takes you to the orbital heights from wherever you are.